Mochii, Kลchi โ†’ Oda, Ehime

Map of Kลchi and Ehime Prefectures with authorโ€™s route between Mochii and Oda highlighted. ๐Ÿ—บ Open map in GaiaGPS โ†’


๐Ÿ“ Mochii, Kลchi

It was in Ehime Prefecture, two years ago, that I learned there was a god in everything in this land, and that they couldnโ€™t care less about my rational European ways, and now the clouds dissipated, and I dreamed of oranges, and I walked back into Ehime.


Houses collapsed into the forest by the side of a very narrow village road. ๐Ÿ“ Mochii, Kลchi


Ears of corn drying on a rack.

A large farmhouse in the last stage of decay by the side of the road.

๐Ÿ“ Higashigawa, Ehime


A bicycle seat overgrown with leafy lichen.

The emblem of the same bicycle, a rooster, reading Gunken O.Z.W.

The whole bike, very rusty, leaning against a shed. ๐Ÿ“ Higashigawa, Ehime

Business idea:

  1. Collect vintage bicycles from rural Japan
  2. Wait until the bricks-and-blackboards aesthetic runs its course with third-wave coffee shops and is replaced by a rust-and-lichen look
  3. Profit!

An orange, a red, and a blue microvan parked next to each other.

A row of Japanese cypress trees line a sunny country road. ๐Ÿ“ Higashigawa, Ehime

It was the last day of winter, but as I walked out of the mountains and down an avenue of cypress glowing golden green, it felt like the first day of summer.


An older woman seen through the open curtain of a building with a sign out front that translates to Yamazakiโ€™s Shop. ๐Ÿ“ Higashigawa, Ehime

โ€œThe windy road rose steep and high, twisting through hamlets where all the people I glimpsed in their houses were horizontal, having given up the search for distractions in favor of unconsciousness,โ€ Alan Booth wrote of the road through these remote valleys of Ehime, and the only person I could glimpse in her house was still horizontal 36 years on, having given up unconsciousness in favor of the search for distractions in the newspaper.


A bowl of noodles with vegetables and an egg.

A large grey rock at the confluence of two mountain rivers.

A man in workmenโ€™s overalls eats a bowl of the noodles. ๐Ÿ“ Mimido, Ehime

โ€œBut the bath was astonishing, a rarity nowadays, and only the second of its kind I had ever been in. It was a goemonburo โ€” a round, brown, iron contraption, named after a sixteenth-century robber who was sentenced to be boiled alive in one,โ€ Alan Booth wrote about his accomodations in the village of Mimido, where the Kuma River joins the Omogo at a battleship-shaped rock, and where, having inquired about lunch, I received, along with everyone else, a steaming bowl of gunkan udon โ€” battleship noodles! โ€” served in a round, brown, iron contraption. After a day and a half on cold rice, chocolate, and crackers, it would have served me fine as my last meal before being boiled alive, as it had perhaps served Goemon.


A childโ€™s wooden toy placed next to a red fire extinguisher.

A daikon, a large Japanese radish, freshly pulled from the ground.

A mop that looks like a wild mask drying on a fence.

A half-burned chair that says Hello Kitty Friends, showing Hello Kitty and her friends, in a trash-filled shed. ๐Ÿ“ Kamikuroiwa, Ehime


Two timbers form an X in the mouth of a tunnel, with the sun setting in the forest beyond it.

๐Ÿ“ Old Mayumi Tunnel, Ehime

Alan Booth died a decade after he walked across Shikoku, and the roads he walked died with him. I followed his spirit across the virgin snows and the swirling clouds and the magnesium sun, I walked across abandoned villages and mountain passes and footpaths and finally this tunnel, closed and dripping and crumbling back into the mountain, silent. Past the forest, in the village of Oda, I crossed a sake shop with bottles on display and a half-eaten meal in the dining room, but no one to sell me a beer, and I stepped into a rambling, ravishingly beautiful Meiji-era townhouse, my skin translucent, my dreams on the tatami mats a synaesthesia of creaking floorboards and summers long past and the disembodied, cold light. I ate a single orange.


A 2019 wall calendar with a painting of a wild boar and three piglets. ๐Ÿ“ Oda, Ehime

Shikoku Field Diary was written on the 500-kilometer walk across Shikoku in January and February 2019 that became the subject of The Wilds of Shikoku, my first book.